Christmas Cards
Christmas Day Wrestling, Novelties and Special Features
#PWHS #Article #ChristmasCards #Results
Back when we first started the Pro-Wrestling Historical Society group on Facebook I used to post matches that happened on each day in history. After a while I took a break from it and have completed way more research since then. So, I figured this year I'd share a good selection of Christmas Day cards from around the world, with some additional happenings on December 25 through-out pro-wrestling history. There is at least one entry for every decade from the 1860s to the 1990s. Now, without any further ado, here they are:
1838
Washington, D.C. Madisonian
1843
Get Out of the Way, Old Dan Tucker! Get out of the Way, All Ellser Brothers! Dan Ric Against the World: Morning Show
Museum (Lecture Room), Philadelphia, Pennsylvania
Tickets: $0.12.5
1 - "Dan Rice Performs the following appalling feat:" The Fireman's Ladder
2 - "Dan Rice Performs the following appalling feat:" The Roman Chain
3 - "Dan Rice Performs the following appalling feat:" The Pyramid of Bacchus
4 - "Dan Rice Performs the following appalling feat:" Sampson's Strength of Hair (lifts fifty-sixes (224lbs) by his hair)
5 - "Dan Rice Performs the following appalling feat:" La Valse Comigue
6 - Dan Rice Performs Several of His Original Songs
Notes:
"No living man, within five years of his age, is as strong as he, or can perform the feats of strength which Dan Rice can, and to this he challenges the world! And now, hurrah! for the most unique and attractive exhibition in Philadelphia, on Christmas Day and evening."
This show starts at 11:00.
Also featured Mr. D.T. and Miss Shaw, and Mr. Harrison, the improvisatore.
Get Out of the Way, Old Dan Tucker! Get out of the Way, All Ellser Brothers! Dan Ric Against the World: Morning Show
Museum (Lecture Room), Philadelphia, Pennsylvania
Tickets: $0.12.5
1 - "Dan Rice Performs the following appalling feat:" The Fireman's Ladder
2 - "Dan Rice Performs the following appalling feat:" The Roman Chain
3 - "Dan Rice Performs the following appalling feat:" The Pyramid of Bacchus
4 - "Dan Rice Performs the following appalling feat:" Sampson's Strength of Hair (lifts fifty-sixes (224lbs) by his hair)
5 - "Dan Rice Performs the following appalling feat:" La Valse Comigue
6 - Dan Rice Performs Several of His Original Songs
Notes:
"No living man, within five years of his age, is as strong as he, or can perform the feats of strength which Dan Rice can, and to this he challenges the world! And now, hurrah! for the most unique and attractive exhibition in Philadelphia, on Christmas Day and evening."
This show starts at 11:00.
Also featured Mr. D.T. and Miss Shaw, and Mr. Harrison, the improvisatore.
Get Out of the Way, Old Dan Tucker! Get out of the Way, All Ellser Brothers! Dan Ric Against the World: Afternoon Show
Museum (Lecture Room), Philadelphia, Pennsylvania
Tickets: $0.12.5 (more than)
1 - "Dan Rice Performs the following appalling feat:" The Fireman's Ladder
2 - "Dan Rice Performs the following appalling feat:" The Roman Chain
3 - "Dan Rice Performs the following appalling feat:" The Pyramid of Bacchus
4 - "Dan Rice Performs the following appalling feat:" Sampson's Strength of Hair (lifts fifty-sixes (224lbs) by his hair)
5 - "Dan Rice Performs the following appalling feat:" La Valse Comigue
6 - Dan Rice Performs Several of His Original Songs
Notes:
"No living man, within five years of his age, is as strong as he, or can perform the feats of strength which Dan Rice can, and to this he challenges the world! And now, hurrah! for the most unique and attractive exhibition in Philadelphia, on Christmas Day and evening."
This show starts at 15:00.
Also featured Mr. D.T. and Miss Shaw, and Mr. Harrison, the improvisatore.
Get Out of the Way, Old Dan Tucker! Get out of the Way, All Ellser Brothers! Dan Ric Against the World: Afternoon Show
Museum (Lecture Room), Philadelphia, Pennsylvania
Tickets: $0.12.5 (more than)
1 - "Dan Rice Performs the following appalling feat:" The Fireman's Ladder
2 - "Dan Rice Performs the following appalling feat:" The Roman Chain
3 - "Dan Rice Performs the following appalling feat:" The Pyramid of Bacchus
4 - "Dan Rice Performs the following appalling feat:" Sampson's Strength of Hair (lifts fifty-sixes (224lbs) by his hair)
5 - "Dan Rice Performs the following appalling feat:" La Valse Comigue
6 - Dan Rice Performs Several of His Original Songs
Notes:
"No living man, within five years of his age, is as strong as he, or can perform the feats of strength which Dan Rice can, and to this he challenges the world! And now, hurrah! for the most unique and attractive exhibition in Philadelphia, on Christmas Day and evening."
This show starts at 15:00.
Also featured Mr. D.T. and Miss Shaw, and Mr. Harrison, the improvisatore.
Afternoon Show
National Theatre
1 - Tragedy of George Barnwell - Mrs. Lewis, G. Barnwell
2 - The Original Virginia Minstreal
3 - King of the Mist
Note:
Show starts at 14:00.
Afternoon Show
National Theatre
1 - Tragedy of George Barnwell - Mrs. Lewis, G. Barnwell
2 - The Original Virginia Minstreal
3 - King of the Mist
Note:
Show starts at 14:00.
Get Out of the Way, Old Dan Tucker! Get out of the Way, All Ellser Brothers! Dan Ric Against the World: Evening Show
Museum (Lecture Room), Philadelphia, Pennsylvani
Tickets: $0.12.5 (more than)
1 - "Dan Rice Performs the following appalling feat:" The Fireman's Ladder
2 - "Dan Rice Performs the following appalling feat:" The Roman Chain
3 - "Dan Rice Performs the following appalling feat:" The Pyramid of Bacchus
4 - "Dan Rice Performs the following appalling feat:" Sampson's Strength of Hair (lifts fifty-sixes (224lbs) by his hair)
5 - "Dan Rice Performs the following appalling feat:" La Valse Comigue
6 - Dan Rice Performs Several of His Original Songs
Notes:
"No living man, within five years of his age, is as strong as he, or can perform the feats of strength which Dan Rice can, and to this he challenges the world! And now, hurrah! for the most unique and attractive exhibition in Philadelphia, on Christmas Day and evening."
This show starts at 191:00.
Also featured Mr. D.T. and Miss Shaw, and Mr. Harrison, the improvisatore.
Get Out of the Way, Old Dan Tucker! Get out of the Way, All Ellser Brothers! Dan Ric Against the World: Evening Show
Museum (Lecture Room), Philadelphia, Pennsylvani
Tickets: $0.12.5 (more than)
1 - "Dan Rice Performs the following appalling feat:" The Fireman's Ladder
2 - "Dan Rice Performs the following appalling feat:" The Roman Chain
3 - "Dan Rice Performs the following appalling feat:" The Pyramid of Bacchus
4 - "Dan Rice Performs the following appalling feat:" Sampson's Strength of Hair (lifts fifty-sixes (224lbs) by his hair)
5 - "Dan Rice Performs the following appalling feat:" La Valse Comigue
6 - Dan Rice Performs Several of His Original Songs
Notes:
"No living man, within five years of his age, is as strong as he, or can perform the feats of strength which Dan Rice can, and to this he challenges the world! And now, hurrah! for the most unique and attractive exhibition in Philadelphia, on Christmas Day and evening."
This show starts at 191:00.
Also featured Mr. D.T. and Miss Shaw, and Mr. Harrison, the improvisatore.
Evening Show
National Theatre, Philadelphia, Pennsylvania
1 - The Grand Drama of the Hercules of Brittany - The Essler Brothers, Lionards; Mrs. Knight, Princes Isabeau
2 - The Virginia Minstrel
3 - Sante Claus - Mr. Winans, Old Krisskringle
Evening Show
National Theatre, Philadelphia, Pennsylvania
1 - The Grand Drama of the Hercules of Brittany - The Essler Brothers, Lionards; Mrs. Knight, Princes Isabeau
2 - The Virginia Minstrel
3 - Sante Claus - Mr. Winans, Old Krisskringle
1867
Arena Athletique, Paris, Ile-de-France, France
"The chief feature of the evening, however, was the appearance of a man in a mask, who was unknown to the managers of the establishment, and who had come here to-night in pursuance of a challenge which he had sent eu amateur to the champions of the arena. I was not made aware of this feature of the entertainment until during the progress of the second battle. The theory of the person who communicated it was, that the masked man was some gentleman, or perhaps even a nobleman, who, having a passion for athletic sports, had taken this singular method of enjoying his superiority incog. My notion was, however, that it was a trick of business to which the managers were parties, and I therefore did not anticipate any great exploit. But the audience evidently had a different estimation of the matter. I heard frequent allusions to l'homme masque all through the evening; and, finally, when the master of ceremonies announced that he had arrived, the amphitheatre was started with unmistakable evidences of excitement. The two gladiators who were then in the ring, and in the very climax of a tremendous struggle, at once left off, in concession to the superior demans of the mysterious amateur. No sooner had they retired, however, than a young giant who was announced as Monsieur Fouet, stepped forth, and commenced slouching leisurely around the circle. This formidable fellow stood at least six feet three, and, though there was no waste flesh about him, he must have weighed two hundred and twenty or thirty pounds. The muscle bunched all over him in great clots of power, and his broad shoulder blades, exceeding all usual developments, seemed to have been cast in some iron foundry for a man-of-war. He was a feaful atagonist to look at, and the spectators winced concern for his opponent by expressions of fearful admiration. After he had been in the ring about two minutes, there was a stir in one of th epassages, opposite that which gave ingress to the professionals, and the crowd being parted by the efforts of a gendarme, a figure emerged from it shrouded in complete black, and lightly stepped into the arena. His first act was to sit down on the edge of the ring and slip off his shoes. He then rose, took off his cloak, and, handing it to a female attendant, appeared in complete white hose, with the exception of his head and face, which were covered by a black hood and cowl. Not even the color of his hair was to be seen under this disguise, and the only thing naked was his hands. As he stepped forward to the centre of the ring, I scrutinized him very closely. He stood over six feet high, on, as I guesses, about six feet and an inch. Though not so large as Fouet, he was more round in body, and there was a general look of thickness, allied to symmetry, which betokened a world of hidden strength. He probably would not scale within twenty pounds of the professional, but his weight lay upon his points, and being thus happily disposed, it represented a strength that belonged to a man of twenty of thirty pounds more. His limbs were graceful, but his loins, instead of showing the Apollonian delicacy which is noticeable in Heenan, and which had been so admired this evening in Monsieur James, were braced up with broad bands of muscle, which would obviously enable him to stand the wear and tear of a protracted struggle. I particularly noticed that his feet were small, with a high arching step, and that his hands, though neither small nor large, were very white.
I was impressed by the man at once, and as he palced his left hand into the great rough paw of Fauet, I insensibly took sides with him. But he did not not need any aid. Fouet rushed upon him with a terrible impetousity, with an evident doubt of his own ultimate and resources, endeavored to carr him off his feet by a coup de main. Grasping him around the neck with one brawny arm, and nailing his right hand with the other, the giant rallied him by rapid bounds across the ring, until he had him nearly capsized among the audience; but just at this critical moment Fouet's body happened to be a shadow out of line, and this being felt by the masque, he whirled the giant off his feet, and in the next moment the two men landed beside each other on the floor. But the masque, in his new situation, was too quick for his antagonist; he succeeded in getting himself partly up and over him, next he wound his arms around Fouet's body, and then, by a deadly, unremitting pressure, which the giant vainly endeavored to resist, he forced him slowly over and over, until, by a final wrench, he laid him on his back. There was a great applause at the result, but, the masque, not paying any heed to it, merely paused to have his cload thrown over his shoulders by the female in attendance, and then hurried out, protected from any intrusive following by the officers in attendance.
I have seenn this man at the arena on five occasions since, but each of these subsequent combats were attended with the same results. I have been convinced, moreover, by the manner of them, that they were all bona fide battles; and I consider that this opinion of mine ought to be better than the mere surmises of any one who was not there to see. I venture no idea upon the question as to who the man may be, but the fact that his contests have been scrutinized by the shrewedest men in Paris, who had paid their five francs to the management for the privilege of looking on, is a pretty conclusive evidence that there is no humbug in the matter. I have seen editors, actors, members of the Jockey Club, and the leading wits of Paris largely present, and it is ridiculous to suppose that such a set of persons would assist, night after night in gross imposture, or permit themselves to constantly be deceived. Another proof of the integrity of the proceeding is, that, though the management of the arena was coining money by the masked man's contests, he refuses any longer to appear, unless some champion shall be produced who has 'gone through' the experts like himself. He retires, because, like Alexander, he has no more worlds to conquer. The masked wrestler therefore, takes established rank with many other of the world's mysteries, and a new counterpart is added to the question of, 'Who is Junius?'" - Hagerstown Herald & Torch Light.
Arena Athletique, Paris, Ile-de-France, France
"The chief feature of the evening, however, was the appearance of a man in a mask, who was unknown to the managers of the establishment, and who had come here to-night in pursuance of a challenge which he had sent eu amateur to the champions of the arena. I was not made aware of this feature of the entertainment until during the progress of the second battle. The theory of the person who communicated it was, that the masked man was some gentleman, or perhaps even a nobleman, who, having a passion for athletic sports, had taken this singular method of enjoying his superiority incog. My notion was, however, that it was a trick of business to which the managers were parties, and I therefore did not anticipate any great exploit. But the audience evidently had a different estimation of the matter. I heard frequent allusions to l'homme masque all through the evening; and, finally, when the master of ceremonies announced that he had arrived, the amphitheatre was started with unmistakable evidences of excitement. The two gladiators who were then in the ring, and in the very climax of a tremendous struggle, at once left off, in concession to the superior demans of the mysterious amateur. No sooner had they retired, however, than a young giant who was announced as Monsieur Fouet, stepped forth, and commenced slouching leisurely around the circle. This formidable fellow stood at least six feet three, and, though there was no waste flesh about him, he must have weighed two hundred and twenty or thirty pounds. The muscle bunched all over him in great clots of power, and his broad shoulder blades, exceeding all usual developments, seemed to have been cast in some iron foundry for a man-of-war. He was a feaful atagonist to look at, and the spectators winced concern for his opponent by expressions of fearful admiration. After he had been in the ring about two minutes, there was a stir in one of th epassages, opposite that which gave ingress to the professionals, and the crowd being parted by the efforts of a gendarme, a figure emerged from it shrouded in complete black, and lightly stepped into the arena. His first act was to sit down on the edge of the ring and slip off his shoes. He then rose, took off his cloak, and, handing it to a female attendant, appeared in complete white hose, with the exception of his head and face, which were covered by a black hood and cowl. Not even the color of his hair was to be seen under this disguise, and the only thing naked was his hands. As he stepped forward to the centre of the ring, I scrutinized him very closely. He stood over six feet high, on, as I guesses, about six feet and an inch. Though not so large as Fouet, he was more round in body, and there was a general look of thickness, allied to symmetry, which betokened a world of hidden strength. He probably would not scale within twenty pounds of the professional, but his weight lay upon his points, and being thus happily disposed, it represented a strength that belonged to a man of twenty of thirty pounds more. His limbs were graceful, but his loins, instead of showing the Apollonian delicacy which is noticeable in Heenan, and which had been so admired this evening in Monsieur James, were braced up with broad bands of muscle, which would obviously enable him to stand the wear and tear of a protracted struggle. I particularly noticed that his feet were small, with a high arching step, and that his hands, though neither small nor large, were very white.
I was impressed by the man at once, and as he palced his left hand into the great rough paw of Fauet, I insensibly took sides with him. But he did not not need any aid. Fouet rushed upon him with a terrible impetousity, with an evident doubt of his own ultimate and resources, endeavored to carr him off his feet by a coup de main. Grasping him around the neck with one brawny arm, and nailing his right hand with the other, the giant rallied him by rapid bounds across the ring, until he had him nearly capsized among the audience; but just at this critical moment Fouet's body happened to be a shadow out of line, and this being felt by the masque, he whirled the giant off his feet, and in the next moment the two men landed beside each other on the floor. But the masque, in his new situation, was too quick for his antagonist; he succeeded in getting himself partly up and over him, next he wound his arms around Fouet's body, and then, by a deadly, unremitting pressure, which the giant vainly endeavored to resist, he forced him slowly over and over, until, by a final wrench, he laid him on his back. There was a great applause at the result, but, the masque, not paying any heed to it, merely paused to have his cload thrown over his shoulders by the female in attendance, and then hurried out, protected from any intrusive following by the officers in attendance.
I have seenn this man at the arena on five occasions since, but each of these subsequent combats were attended with the same results. I have been convinced, moreover, by the manner of them, that they were all bona fide battles; and I consider that this opinion of mine ought to be better than the mere surmises of any one who was not there to see. I venture no idea upon the question as to who the man may be, but the fact that his contests have been scrutinized by the shrewedest men in Paris, who had paid their five francs to the management for the privilege of looking on, is a pretty conclusive evidence that there is no humbug in the matter. I have seen editors, actors, members of the Jockey Club, and the leading wits of Paris largely present, and it is ridiculous to suppose that such a set of persons would assist, night after night in gross imposture, or permit themselves to constantly be deceived. Another proof of the integrity of the proceeding is, that, though the management of the arena was coining money by the masked man's contests, he refuses any longer to appear, unless some champion shall be produced who has 'gone through' the experts like himself. He retires, because, like Alexander, he has no more worlds to conquer. The masked wrestler therefore, takes established rank with many other of the world's mysteries, and a new counterpart is added to the question of, 'Who is Junius?'" - Hagerstown Herald & Torch Light.
1872
Harry Hill's Varieties, New York, New York
1 - Two out of Three Falls
Harry Grace def. Homer Lane
Two Falls to One (01:10:00)
Notes:
Also featured boxing and dancing.
After the first two rounds of wrestling a man in the audience offered $20 that his favorite, Grace, would throw Lane.
Harry Hill's Varieties, New York, New York
1 - Two out of Three Falls
Harry Grace def. Homer Lane
Two Falls to One (01:10:00)
Notes:
Also featured boxing and dancing.
After the first two rounds of wrestling a man in the audience offered $20 that his favorite, Grace, would throw Lane.
1874
San Francisco Daily Alta
|
Promoter & Producer: John McCullough
California Theatre, San Francisco, California Attendance: "The Largest Audience That Has Assembled In This Theatre For Many A Day" The Gladiator, a play, features tonight. William Miller in the part of "The Fighting Gaul," in the "great Arena Scene." Notes: This is billed as the first of just two nights when the play will be on stage. The play was written by Dr. [Robert Montgomery] Bird in 1831. It is a part of McCullough's second week at the theatre showcasing different plays. Regarding the attendance it is said that there was "Standing Room Only" and, "Enough people were turned away to fill the other places of amusement." The play was deemed a huge success, however, no mention of Miller is made. |
1875
Brooklyn Daily Eagle
Brooklyn Rink, New York, New York
Referee: Capt. Frank M. Clark
Judges: W.C. McClellan (Miller) & Prof. De turk (Carteron)
1 - Graeco-Roman - Three out of Five Falls
Prof. William Miller (of Australia) def. M. Louis Carteron (of France),
Three Falls to Two (F1 00:08:00 - F2 00:05:00 - F3 00:05:00 - F4 00:02:00 - F5 ??:??:?? - C 00:20:00+)
Brooklyn Rink, New York, New York
Referee: Capt. Frank M. Clark
Judges: W.C. McClellan (Miller) & Prof. De turk (Carteron)
1 - Graeco-Roman - Three out of Five Falls
Prof. William Miller (of Australia) def. M. Louis Carteron (of France),
Three Falls to Two (F1 00:08:00 - F2 00:05:00 - F3 00:05:00 - F4 00:02:00 - F5 ??:??:?? - C 00:20:00+)
1877
NY Daily Herald
Afternoon Show
Central Park Garden, New York, New York
"Two celebrated bears 'Leni' and 'Marion' will wrestle with Emile Regnier and Thiebaud Bauer respectively. A special purse of $100 is offered to William Miller to win a single fall from 'Marion.' Included in the programme are Graeco-Roman wrestling, boxing and fencing matches", this took place across the afternoon and evening shows.
Afternoon Show
Central Park Garden, New York, New York
"Two celebrated bears 'Leni' and 'Marion' will wrestle with Emile Regnier and Thiebaud Bauer respectively. A special purse of $100 is offered to William Miller to win a single fall from 'Marion.' Included in the programme are Graeco-Roman wrestling, boxing and fencing matches", this took place across the afternoon and evening shows.
Evening Show
Central Park Garden, New York, New York
Attendance: 150-200
1 - "One Slim Young Man" def. "One Slim Young Man"
(00:15:00+)
2 - "One Older Larger Much Better Wrestler Unknown to Fame" Vs. "One Older Larger Much Better Wrestler Unknown to Fame",
Result Unknown
3 - Two out of Three Falls
Emil Regnier def. Leni the Wrestling Bear,
Two Falls to One
Notes:
Also featured Indian club swinging, a cannon ball routine,
It's said Leni is about to start a tour of the Provinces following this show.
Evening Show
Central Park Garden, New York, New York
Attendance: 150-200
1 - "One Slim Young Man" def. "One Slim Young Man"
(00:15:00+)
2 - "One Older Larger Much Better Wrestler Unknown to Fame" Vs. "One Older Larger Much Better Wrestler Unknown to Fame",
Result Unknown
3 - Two out of Three Falls
Emil Regnier def. Leni the Wrestling Bear,
Two Falls to One
Notes:
Also featured Indian club swinging, a cannon ball routine,
It's said Leni is about to start a tour of the Provinces following this show.